About the playwrights
Dave Deveauis an award-winning writer whose work has been produced across North America and in Europe. He is the Playwright in Residence for Zee Zee Theatre, who premiered his critically acclaimed plays Nelly Boy, Tiny Replicas, My Funny Valentine (Sydney Risk Prize, Jessie Nomination, Oscar Wilde Nomination – Dublin), Lowest Common Denominator, and Elbow Room Café: The Musical (with Anton Lipovetsky). His plays for young audiences were commissioned and premiered by Green Thumb Theatre and continue touring: Out in the Open, tagged, and Celestial Being (Jessie nomination) His first screenplay Us in Nine Months, (based on Tiny Replicas), will shoot this year with Sociable Films. His newest YA play, Ladies and Gentlemen, Boys and Girls, premieres in Toronto this season with Roseneath Theatre. He is represented by Marquis Literary.
Ashleigh Giffen is an emerging artist connecting her roots (Indigenous and Icelandic) to her work. Ashleigh was raised on Squamish territory, but is traditionally from the Kahkewistahaw and Waywayseecappo territories on her mother's side. In high school, Ashleigh participated in the Arts Club’s LEAP program. Her play Kamwatan Nipe follows a journalist who interviews an Indigenous community where a woman was murdered. Following Kamwatan Nipe, Ashleigh was commissioned in her first year of University to write a companion piece following her first story. She hopes to challenge the western structures of plays, and explore the multi-dimensional journeys and histories of her people, while using epistemologies to showcase deep time and ancestral knowledge. Ashleigh is in her second year at the University of British Columbia Okanagan, majoring in Indigenous Studies.
Kim Sənklip Harvey comes from the Syilx, Tshilqot'in, Ktunaxa, and Dakelh Nations and is a director, playwright, and actor. In 2017 Kim was shortlisted for the Gina Wilkinson prize for her work as an emerging director. In 2018 she was a participant in the Banff Playwrights Lab as well as the Rumbles Directors Lab. Kim is extremely invested in community and youth engagement and has worked on the Mayor’s Task Force for Mental Health and Addiction and the City of Vancouver's Urban Aboriginal Peoples Advisory Committee. As the Youth Program Manager at The Cultch, she created and spearheaded the Indigenous Youth Initiative which focused on increasing urban Indigenous young people's artistic opportunities in Metro Vancouver. Kim is currently taking part in the National Theatre Schools inaugural Artistic Leadership Program, which aims to steward in the next generation of artists to lead the major artistic institutions in this country. Kim is currently on a “year of creative thinking” and you can catch her next project at The Cultch this September for the Vancouver premiere of her play, Kamloopa.
Amy Lee Lavoie is an award-winning playwright and a graduate of the National Theatre School of Canada’s Playwriting Program. Her first play, Rabbit Rabbit, received its premiere production with Infinitheatre, earning Amy Lee two MECCA’s for Best Text and the Revelation Award. Rabbit Rabbit has since been produced across Canada and in the US. Other plays include Me Happy (co-written with Matthew Mackenzie/Summerworks Festival), Stopheart (Factory Theatre), and Genetic Drift (Pi Theatre/Boca del Lupo).
Amy Lee was also the Head Digital Writer for the CBC drama Strange Empire, which won a Gracie Award (Women’s Alliance Media) for Best Website in recognition of its interactive storytelling.
Her latest play, C’mon, Angie!, premiered with Touchstone Theatre in June and was hailed as “visceral, important, life-changing theatre.”
Omari Newton is a professional actor, writer, and slam poet. His original Hip Hop theatre piece, Sal Capone, has received critical acclaim and multiple productions across Canada, including a presentation at Canada's National Arts Centre in 2018. The play has been nominated for multiple Montreal English Critics Association (META) awards, including Outstanding New Text.
In addition to being a playwright, Omari has had a successful acting career on stage, screen, and radio over the past two decades. Career theatre highlights include a Best Supporting Actor nomination in the Centaur Theatre's award-winning production of Joe Penhall's Blue/Orange (2004). Most recently, Omari’s work in Speakeasy Theatre's production of Young Jean Lee's The Shipment earned him a 2017–2018 Jessie Award for Outstanding Performance, as well as a nomination for Best Direction.
Omari is currently working on a commission from Black Theatre Workshop to write Black & Blue Matters—a companion piece to Sal Capone.
Michele Riml is a critically acclaimed playwright from Vancouver. Her plays include Under the Influence, Poster Boys, RAGE (winner 2005 Sydney Risk Award), Souvenirs, On the Edge, and The Amaryllis. Two of her plays produced by the Arts Club, Sexy Laundry and Henry and Alice: Into the Wild (a silver commission), have become international hits with ongoing productions in Canada, Poland, Czech Republic, Germany, Lithuania, Slovenia, Bulgaria, and the USA. Her plays for young audiences have been widely produced and translated and include The Skinny Lie, The Invisible Girl, and Tree Boy, recently published by National Geographic. She is currently completing Miss Teen, a full-length dramatic comedy, which will have its Canadian premiere in 2019 at Shadow Theatre in Edmonton. She is represented by Colin Rivers at Marquis Entertainment in Toronto.
Michael St. John Smith is an experienced writer, established film actor, and former advertising creative director. He has written several commissioned screenplays and three stage plays including the Jessie-nominated Best Original Play Slaying Dragons, and The Bridge for Pi Theatre and CBC (with Michele Riml). His original screenplay, Archangel (co-written with William Gibson), was launched at ComiCon 2016 in San Diego as a comic book series by IDW. He wrote an expanded audio-play version of the series for Amazon Audible to be produced in March 2018. Michael also created and facilitates “The Ring”, an interactive screenwriting workshop for writers and actors. He graduated from Harvard University with honors in English Literature.
Marcus Youssef’s plays—about half of which were co-written with friends and colleagues—include Winners and Losers, Leftovers, Jabber, How Has My Love Affected You?, Ali & Ali and the aXes of Evil, Everyone, Adrift, Peter Panties, King Arthur’s Night, Chloe’s Choice, and A Line in the Sand. They have been performed in dozens of theatres or festivals across North America, Australia, and Europe. Marcus is the recipient of the 2017 Siminovitch Prize. Other awards include: Canada Council Staunch-Lynton Award, Rio-Tinto Alcan Performing Arts Award, Chalmer's Canadian Play Award, Seattle Times Footlight Award, two Arts Club Silver Commissions, a Governor General’s Award nomination, and the Vancouver Critics' Choice Award. Marcus is Artistic Director of Vancouver’s Neworld Theatre and co-founded the artist-run production studio PL1422. He is Editorial Advisor to Canadian Theatre Review, a Canadian Fellow to the International Society of Performing Arts, and recently finished a stint as Senior Playwright in Residence at the Banff Centre Playwrights Lab.